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  • JBF/1
    Sketches, maquettes and writings
    1965-2009
    i
  • JBF/2
    Diaries
    1976-2006
    i
    17
  • JBF/3
    Photographic material
    c.1920-2009
    i
  • JBF/4
    Audiovisual material
    1982-2009
    i
  • JBF/5
    Press and printed material
    1966-2009
    i
  • JBF/6
    Operational papers
    1959-2009
    i
  • JBF/7
    Other interests and research
    1964-2008
    i
  • JBF/6/1
    Records of work
    1959-2009
    i
  • JBF/6/2
    Exhibition and project files
    1966-2008
    i
  • JBF/6/3
    Correspondent and admin files
    1974-2009
    i
  • JBF/6/4
    Casting records
    1980-1994
    i
  • JBF/6/5
    Rowford Process furniture
    1976-1998
    i
  • JBF/6/2/1
    Exhibition files
    1966-1998
    i
  • JBF/6/2/2
    Rowan Gallery volume
    1968, 1980
    i
    1
  • JBF/6/2/3
    Exhibition and project files
    1983-1990
    i
    25
  • JBF/6/2/4
    Exhibition and project files
    1980-1994
    i
    24
  • JBF/6/2/5
    Exhibition and commission files
    1992-2000
    i
    4
  • JBF/6/2/6
    Proposed exhibitions
    1987-1991
    i
    3
  • JBF/6/2/7
    Public and corporate sculpture
    1980-1998
    i
    1
  • JBF/6/2/8
    Catalogue and publication files
    1968-2007
    i
    10
  • JBF/6/2/9
    South Bank Show
    1983
    i
    1
  • JBF/6/2/10
    The Killing Detail (1986)
    1998
    i
    1
  • JBF/6/2/11
    Catherine Lampert
    2007-2008
    i
    3
JBF/6/2/3
Exhibition and project files , 1983-1990
JBF/6/2/3.17 'A Quiet Revolution: British Sculpture Since 1965', Chicago Museum of Contemporary Art, Chicago, USA then touring (1987 - 1988)

Date Range

1986-1987

Scope and Content

Group exhibition file for A Quiet Revolution: British Sculpture Since 1965, Chicago Museum of Contemporary Art, Chicago, USA, 23 January 1987 to 5 April 1987, then touring in 1987 and 1988.

Correspondence with Mariann Smith of the Albright-Knox Gallery, New York, USA, John R Lane of the San Francisco Museum of Modern Art, San Francisco, USA, Michael Danoff, Dennis Alan Nawrocki and Bonnie Rubenstein of the Museum of Contemporary Art, Chicago, USA and others regarding the group exhibition, with related private view and business cards, invitations, press releases and Flanagan’s biography.

Extent

1 folder

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