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  • JBF/1
    Sketches, maquettes and writings
    1965-2009
    i
  • JBF/2
    Diaries
    1976-2006
    i
    17
  • JBF/3
    Photographic material
    c.1920-2009
    i
  • JBF/4
    Audiovisual material
    1982-2009
    i
  • JBF/5
    Press and printed material
    1966-2009
    i
  • JBF/6
    Operational papers
    1959-2009
    i
  • JBF/7
    Other interests and research
    1964-2008
    i
  • JBF/5/1/1
    Press-cuttings scrapbooks
    1966-1977
    i
    3
  • JBF/5/1/2
    Press-cuttings files
    1970-2008
    i
    5
  • JBF/5/1/3
    Exhibition press reviews
    1988-2005
    i
    10
  • JBF/5/1/4
    Laundress Green sculpture
    1972
    i
    1
  • JBF/5/1/5
    2004
    2004
    i
    4
  • JBF/5/1/6
    Pietrasanta
    1988-2008
    i
    1
JBF/5/1/1.3 Press cuttings August 1974 - November 1977
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Date Range

1974-1977

Scope and Content

Red scrapbook of press cuttings

Soft Art, Camden Arts Centre (1974), reviews; Linda Talbot, William Packer, Nigel Gosling and Paul Overy.

Barry Flanagan Drawing 1966 -1974, Museum of Modern Art Oxford, (1974), features; Lynda Morris and Catherine Lampert., review; Tim Hilton.

Somethings Etruscan, Rowan Gallery, (1974), features; Fenella Crichton and William Feaver. Reviews; Michael Jon Ashworth, Linda Talbot, J.A.B, Michael Shepherd, Nigel Gosling, Paul Overy, James Burr, another from Art and Artists, [NA, Modern Art Oxford also mentioned].

British Sculpture and Objects, Kinsman-Morrison Gallery, (1975), feature; Fenella Crichton.

9è Biennale des Jeunes, Paris, (1975), features; Valentina Anker and Lucien Dallenbach another by Vivian Reed.

Irish News, 7 January 1974, ‘Arts Councils exchange paintings’, [NA].

Projects: Barry Flanagan, Museum of Modern Art, NYC, (1974), review; Caroline Tisdall.

Barry Flanagan: exhibition of small works, Bluecoat Gallery, (1974), review; Margo Ingham.

Jeremy Moon, Rowan Gallery, (1974), review; Marina Vaizey.

Critic’s Choice, Arthur Tooth & Sons, London, (1974), review; Barbara Wright, P.A. Rosenbloom, another from the, Jewish Chronicle, [NA].

British Sculptors – Attitudes to Drawing, Ceolfrith Gallery, Sunderland Arts Centre (1974), review; Northern Echo, [NA]

Aspects of Landscape in Post-War Art, Tate Gallery (1974), review; Edward Lucie-Smith.

Article; Cliff Hanley, ‘Putting art in the Organisation’, The Scottsman, 7 December 1974 [involvement in passing with A.P.G].

Objects, Hogarth Gallery, Sydney Australia, (1975), review; Sandra McGrath,
Ruth Faerber and W.E Pidgeon [with mention of MOMA NYC].

Publication extract, John A. Walker,
Art Since Pop, pg.17, Thames and Hudson, London, 1975.

Media reports on Tate Gallery spending 1976; Colin Simpson, Michael Evans, Bernard Levin, Edward Lucie-Smith, Michael Evans, Rosemary Simmons and others from
Arts Review and The Times [NA].

Arte Inglese Oggi: 1960-76, Palazzo Reale, Milan (1976), reviews; ‘Richard Cork and William Feaver. Letters to the Editor; Rory Mc Ewen, ‘Dr. Edward Lobury and Mr. Iain McGilchrist.

A Silver Jubilee Exhibition of Contemporary British Sculpture, Battersea Park, (1977), reviews; Mollie Baxter, Caroline Tisdall, another by the Morning Evening Telegraph, [NA].

1977 Hayward Annual, Hayward Gallery, (1977), reviews; Terence Maloon, John McEwen, Marina Vaizey, Paul Overy, John Spurling, ‘

Tolly Cobbold /Eastern Arts First National Exhibition, (1977), review; John McEwen,

Barry Flanagan: Sculpture 1966-1976, Arnolfini Gallery and Van Ab Museum, Netherlands (1977) ), reviews; Lynda Morris, Paul Overy and Nigel Gosling, feature; John Claves-Smith, ‘Barry Flanagan’, Art Monthly, November 1977.

Extent

1 volume

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