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  • JBF/1
    Sketches, maquettes and writings
    1965-2009
    i
  • JBF/2
    Diaries
    1976-2006
    i
    17
  • JBF/3
    Photographic material
    c.1920-2009
    i
  • JBF/4
    Audiovisual material
    1982-2009
    i
  • JBF/5
    Press and printed material
    1966-2009
    i
  • JBF/6
    Operational papers
    1959-2009
    i
  • JBF/7
    Other interests and research
    1964-2008
    i
  • JBF/1/1
    Sketch and notebooks
    1974-2008
    i
  • JBF/1/2
    Writings with related papers
    1978-2009
    i
    64
  • JBF/1/3
    'Funds' and related papers
    1965-1972
    i
    3
  • JBF/1/4
    Work in progress
    1970-2001
    i
  • JBF/1/5
    Digital drawings and writings
    1991-2008
    i
    4
  • JBF/1/6
    Rubber stamp drawings
    2004
    i
    2
JBF/1/2
Writings with related papers, 1978-2009
JBF/1/2.37 Writings with related papers (November 1996 - February 2001)

Date Range

1996-2001

Scope and Content

Letters, drawings and writings composed in Amsterdam.

Original draft of Barry Flanagan's essay 'Why The Hare' (1997). Word play. Note to Waddington Gallery. Note to 'Dr Jonaphone CAD'. Notes for a Hugh Lane Memorial Lecture. (18 May 1997). Note on making armatures with reference to Claus Oldenberg, Steve Dwoski and Tim Dine, titled 'Uncle Bert', with reference to the Hackney Empire. Notes with word play with reference Flanagan's 'drawing room' in Amsterdam. Note on poetry.

Note to Michael Farley in acknowledgement of encouragement given (3 March 1997). Note with base and treble clef motif made in Amsterdam . Graphics and word play addressed to Antonio Tapies and Leslie Waddington (3 March 1997). Note to Hans Joachim, Galerie Hans Mayer (3 March 1997) referencing the Maastricht Art Fair and a 'Thinker' work. Note to Dr John Cooney regarding his book (6 June 1997). Note on early conceptual work, the subsequent bronze genre and autonomy.

Photocopies of 'Why The Hare' and loose papers from previous files. Photocopies and originals of faxed correspondents with Philip Rylands, Director of the Peggy Guggenheim Collection, Venice, Italy. To Waddingtons regarding 'Bronze horses' with mention of Ray Nasher collection, Holzer, a Paladino bronze and a Calder included in a plan for a Giorgio Bellaviti sculpture garden design, coinciding with the Venice Biennial (30 January 2001).

Photocopy of a sketch titled 'Eclips' and note on 'Salvo' [a military manoeuvre for performing a salute] Note - 'Out For A Pint' with a sketch. Note regarding
Jackass and Elephant (1995) then located at the Chelsea Hotel NYC. Letters from Leslie Waddington of Waddington Galleries, (16 August 1999), note of Thinker on Rock, (1997). List of addresses and telephone numbers of business associates. Note to Annabelle, Flanagan's daughter on the back of the text 'Mantra of the Awoken Powers'.

Extent

1 folder

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