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  • JBF/1
    Sketches, maquettes and writings
    1965-2009
    i
  • JBF/2
    Diaries
    1976-2006
    i
    17
  • JBF/3
    Photographic material
    c.1920-2009
    i
  • JBF/4
    Audiovisual material
    1982-2009
    i
  • JBF/5
    Press and printed material
    1966-2009
    i
  • JBF/6
    Operational papers
    1959-2009
    i
  • JBF/7
    Other interests and research
    1964-2008
    i
  • JBF/3/1
    Family and early life
    c.1920-1990
    i
    4
  • JBF/3/2
    Portraits
    c.1964-2005
    i
    7
  • JBF/3/3
    Sources for work
    c.1969-2008
    i
  • JBF/3/4
    Work in progress
    1959-2009
    i
  • JBF/3/5
    Work
    1976-2009
    i
  • JBF/3/6
    Gallery photographic files
    1962-2007
    i
  • JBF/3/7
    Exhibition files
    c.1950-2008
    i
  • JBF/3/8
    Installation shots
    1979-2009
    i
    41
  • JBF/3/9
    Trips, events and occasions
    c.1981-2006
    i
    32
  • JBF/3/10
    The work of other artists
    1994-2008
    i
    3
  • JBF/3/11
    Various subjects
    c.1963-2002
    i
JBF/3/11/1.1 Various sculptures (public art, 1960s-1980s)

Date Range

1967-2000

Scope and Content

Colour and black and white photographs

Includes colour installation shots by Anthony Stokes of the Venice Biennale, Italy (1982), colour slides of installation shots of 'Les Champs de la Sculpture 2000', Champs-Elysees, Paris, France (1999), colour transparencies of installation shots of the solo exhibition at the Galerie Hans Mayer, Dusseldorf, Germany (1994), colour installation shots of bronzes including
Hare on Ball and Claw, 1989/90, and Drummer, 1996, installed in the gardens of Galerie Hans Mayer, black and white installation shots by John Webb of 'Sculptures in Stone 1973 - 1979' at Waddington Galleries, London, UK, a black and white installation shot of 'Barry Flanagan sculptures in bronze 1980 - 1981' at Waddington Galleries.

An envelope of black and white installation shots of 'Barry Flanagan - A Visual Invitation: sculpture 1967 - 1987' at the Museum of Modern Art, Belgrade, Serbia, black and white installation shots of 'Art '92' at the Business Design Centre, Islington, UK (1992), black and white photograph of
Young Elephant, 1985 of the Pace Gallery, New York, USA, black and white installation shots of 'The British Art Show: Old Allegiances and New Directions 1979 - 1984' at the Royal Scottish Academy, Edinburgh, UK (1985), black and white installation shots by Al Mozell of 'Barry Flanagan. Recent Sculpture' at The Pace Gallery (1983), black and white installation shot by A Rzepka of 'Barry Flanagan' at the Galerie Durand-Dessert, Paris, France (1982), black and white installation shot of 'Pier and Ocean' at the Hayward Gallery, London (1980) and black and white Rowan Gallery, London photographs of works including Ducks, 1970, Grass I, 1967/68 and hole in the sea (1), 1970.

Extent

1 folder

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